Winter Book Trailer

Hello Friends,

Curl up with that mug of hot chocolate
on these rainy days of December...


Now you can view my winter book trailer

Click here: 


Book trailer 

The Legend of The Fleurs de Lys

Well I have received a record number of Christmas cards this year, and among them, a card with the legend of the fleurs de lys on the back. I have posted this on my Institute website because I think this information is very significant about the nature of how history repeats itself: 


The Fleurs de lys:  Commemorating the marriage of the Duke of Bedford to Anne of Burgundy, the manuscript was given as a Christmas gift to their nephew, nine-year-old Henry VI in 1430. 

The British Library, Add. MS 18850, f.288v

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

My book the Fleur-de-lis was given to Prince William after his wedding to Kate Middleton, and the original first volumes were sent to him as Christmas gifts in 2005, 2006, and 2008.

This book was published by Tate Publishing and makes a great gift. To buy a copy of this work : buy now.

Wishing everyone a Wonderful Christmas and a Happy New Year from the Emily Isaacson Institute!

Emily

The Magical Box of Candy

When I was young, there were five children in my family and we were read to each night before bed. We got to choose a "fairy story" to be read by one of my parents. It just so happened one night that we read a story about a little girl who received from the fairies a "magical box of candy". As long as she did not eat any other candy all day, she was allowed to choose one candy from the box and the fairies refilled it for her. My mother thought of the idea for us to have a magical box of candy as well. As long as we did not eat any candy all day, every night after dinner we were allowed to choose one piece of sugar-free candy from the box. The sugar-free part went along with her years of well intentioned sugar-free baking and healthy eating to encourage our wholesomeness. So there we were, and it seemed like a wonderful piece of fairy magic had descended on our household too. No more sugar candy of any sort, but a magical box that replenished itself... this went on for quite some time to our delight.

Now as an adult I can say that I run a sugar-free household myself. With all the sugar substitutes you can find today at health food stores, such as molasses, agave, maple syrup, fruit juice, honey, stevia, or xylitol, it isn't too difficult to create recipes that taste just as good, without the refined white sugar. Even whole cane juice can be purchased for 1:1 baking exchanges, or evaporated cane juice, which has the texture of icing sugar. Children do much better in school without the sugar overload so common with pop, candy, cake and even bread containing sugar. To teach them healthy eating choices is something they will carry with them for a lifetime. You can make the very same products without sugar, and they taste just as good. Buy healthy snacks in health food stores instead, and you will find, as I say in my grocery store tours, "the items you buy in a health food store are generally made with ingredients from the health food store..." and you will notice these common substitutions for refined fats, refined sugars, and refined flours.

To learn more about eating healthfully, check out my food program online: www.therainbowprogram.com and take your tablespoon of molasses daily for both iron and calcium.

Emily

The Dancing Years

A couple times a year I have the opportunity of attending my niece's dance recitals at Chandos Pattison Auditorium. Her dance company is called Dance Barn Studios, and is located in Fort Langley. What dedication of some to pursue such talents to their end, in both performing and teaching the beauty of dance to others.

I started taking ballet when I was five, and attended dance classes until I was finished high school. As a teenager, every week I would take the bus downtown to the YMCA with my tights and ballet shoes and practice at the barre. This for me was the high moments of a young girl's life, the dedication and resilience needed to be graceful on stage, in the studio, and in person. It spills over into every part of life if you are a dancer, if you are meant to dance. The dance captured me as a ten year old, and I wanted to be part of the National Ballet at a young age. I read books about Anna Pavlova, the young ballerina, and tried to copy difficult dance moves. To master them I would practice in the swimming pool, which slows down movement and articulates the motions, and it worked magic. The older girls I knew who could do ballet moves that I could not, I copied underwater until I could do them also.

I was part of a performing dance troupe in high school, and we practiced and performed locally and did dance numbers at churches, schools and  fairs. I also did several summer intensive performing arts trips, and travelled across Europe doing song & dance in 1992. I spent a week in Spain during the '92 Olympics and three weeks in Germany, doing three performances a day. Back then, I was adventurous and it gained me a solo role, so I opened each performance singing the opening song.

By the time I was in university, I had leaned a fair amount of Israeli dancing and taught Israeli dancing to a small team of TWU dancers to perform for the school and at a few other venues. Dance has and will always be my choice instead of group sports or other exercise: it is beautiful, expressive, cathartic, and brings discipline with a measured practiced result.

When in doubt, dance to liberate the soul in every dimension. Then you will shine like a diamond!

Emily

Victoria

I grew up in Victoria, a very British city, full of tourist attractions and the honeymooners' seashore. “The Dashwood” mentioned in my book, “a bulwark beside the shore”, is a wonderful manor bed and breakfast that I have stayed in several times, located on the sea front and park ridge of the downtown, a veritable destination. I have always loved the poetry of Victoria, the place of flowers, a remarkable change from Ontario where I was born. The first thing I noticed as a six year old in Victoria was the daffodils, then the flowering fruit trees, then the flowering baskets downtown, and then the Butchart Gardens. Our family home always had a front flower bed profuse with daffodils. How precise that now my humanitarian motto is “one daffodil per village” with the intent to reach out to every country and facilitate a holistic infrastructure.

The fine fragrance of poetry, summed up in "The Fragrance of Glory", speaks of a time of freedom, a time when heaven prevailed over the things and places of earth. And his Kingdom, as it touches our world becomes manifest in the spiritual dimension of visiting another country and facing its poverty, then returning home and facing our own. For we tap the riches of his glory among the poor, in their understanding of a spiritual world which feeds them. I left my life of nobility and title once, and went to live among the poor. I was the Madonna of the streets. I lived amongst the street people of Maple Ridge for three years, and conceded to their request for counterpoint. I played the grand piano for the hungry and homeless of the Salvation Army over the lunch meal.

I believe that in this time there is a prophetic harvesting of the earth, and the hungry are just waiting for something to draw and ask them in, to fill their souls with a spiritual meal of satisfying dimensions, to challenge their dreams, and call out their destinies. If I was Mary, birthing a son in this culture I would say that “He is innocent” of that which is evil. The premise of my book, was in part, that I have suffered, and I am also innocent as a child of God. No one wants to suffer their own martyrdom though, we would prefer anything else, yet we must not fall away in times of persecution. We must pray that he will keep us blameless and true to his purpose, so we become the fullness of his dream in us.

I have chosen to stay in my spiritual journey alongside the nuns of St. Clare, and in many ways my life has emulated that of St. Clare’s: following the path of chastity and the convent, shutting herself in the church and choosing a life of poverty and hard work. In this way, I also believe the flower St. Clare holds in her picture, if that of three lilies, represents THE FLEUR-DE-LIS.

Bringing In The Sheaves

Willful, and of the roots
of a great tree,
from every continent,
they shall, singing,
converse with the morn.

Seeing how they were, captives,
freed, and in their prime
harvested from earth’s mortal
snare and the toil of sweat.

Here, they shall be of one love
to rival youth, and the fortune
of the rich.




The poor shall gather in their arms
a woman of finest comely
gesture, and on a stage as a ballet,
she shall bring the ancient sheaves
to a royal coronation.


Emily Isaacson

Israel

Olive Tree

Syrian Pear








Thistle










Yellow Wild Pea









Star of Bethlehem










Sea Daffodil








Sour Cherry










Rose of Sharon









Rice Millet








Jerusalem Buttercup









Acacia tree







The flora & fauna of Israel show its remarkable beauty in all seasons.

Israel has a beautiful legacy, as the country of the Jewish race and deserves to be protected: both spiritually and physically.
-
From the place of Jesus' birth to the founding of a world wide religion that has for its liturgy a bestseling book: The Bible... this country had appeared in the news recently as the country that Canada protects. These allies align as Jerusalem becomes the focus of the end times, the city in which Christ was crucified.

Emily

Queen Anne's Lace

The story tells us

of a Queen in a royal garden ...
and her riveting court:

-

to equate justice and liberty

to remind us to hope

for a future

that builds on dreams

and writes

legend.

-

House of the Rose
~~~~~~~~~~~~~~~
The wild carrot flower
grew in the royal garden,
and the Lady of Denmark,
consort to the King,
was an expert lace maker.

She challenged the court ladies
to create their best lace,
in the fine and dainty
fashion of the garden flower,
antique white.

No one could rival
the Queen Anne’s handiwork,
so fair and lovely
was her pattern: as the white
florets of her lace collar.

As the legend says,
she pricked her finger
and a single drop of blood
fell in the center, coloring it purple
and so it remains to this day.

~~~~~~~~~~~~~~~~~

Emily Isaacson

A Tapestry of the North

.

Something is always
simmering on the black stove
and in the journal of time;
she wrote of
the shining northern purity
of a female icon—
love and sincerity
in the figurative,
stargazing in the field,
weeping at transgression:
the sorrow of her eyes,
the sweetness of her mouth—
.
.

.

.

Stretched on a loom,
the huge white cloth
of the North;
we were the threads,
short and long,
our ways
stretched across it.

North as a place
in the mind
where a safe house
coexists
with a much-needed
wilderness.

Blackcap and
red huckleberry,
nettle and fern,
cascara, buttercup,
burnished hazelnut,
and red rose hips.

Peppergrass,
Indian plum
in an open wood,
dandelion suns dotting
the wild grass,
and coltsfoot,
inhabiting the shaded ground
of the river bank.

The trailing blackberry
wound its way
along the neck
of the forest;
its purple-seeded harvest
a steeped nectar
over the fire.

A dreamer of the North,
of wind, of fire, and of water,
like a lodge overgrown
with moss,
behind the Northern
lights, beyond a wall of mist:
his footsteps
walking down,
his walking stick, aligned,
to see the bears cross the sky,
to see the ladle of the stars;
like night sounds,
slow across the
path,
sun-steadied,
about to fall…
they give themselves
to his arrows.

The imagined mirror
of time and plenty
where the green waters
gave forth a harvest
to last the winter.

The driftwood
peopled the shore
and surf pounded
a breaking rhythm.

To walk the sands
of time,
both past and future:
to find the eternal song.

Legend carried us far,
an island tapered
by wild winds
and wildflowers.

Constellations
in the pale light
over the tundra,
the tall grass in the meadow,
winking
at the coming
morning…

Undisturbed,
thyme, rosemary,
and marjoram
unblighted,
inclined,
brightened with
the flowers
of indigo petals and
yellow goldenrod;
a silent prayer
upon the altar
of peace.

Corn and beans,
squash and savory;
like mist over the plains,
Three Sisters Stew
a staple of the North,
and Indian stature
of wombs with eyes
to gaze into the
heart of earthly and
divine:
each child
a new planet
into the constellation
of sun, wind, and tears.

Watercolors
of the Arctic Inuit,
blooming round
the cabin door,
a stream to cloak the
Northern star,
nursed in a pine cone.

We are as flowering dogwood
and Nootka rose,
planets moving
through the night
lens of milky universe,
transient as the seasons pass
without appeasement,
at the mercy of the storm.

Yet now,
I have completed
a measurable act:
I have built a home
in the wilderness,
where the beams,
warm with the smoke
of a hearth-fire,
are hung with elk
and bear,
dried sorrel and madrona;
maize and beans
dot the soup
with gold stars
in the spring sky.

--Emily Isaacson

The Fleur-de-lis

"When Aurias comes stately home,
and banners of the sea doth fly...."












THE FLEUR-DE-LIS, dedicated to Prince Willam

This book featuring the stylised lily as main character will be released March 29 and is in three volumes.

In the movie Legend, starring Tom Cruise, there were two characters, Lily and Jack. In this book, there is a section called Legend, based on the movie, and Lily is the narrative voice of the childlike Empress writing to C.S. Lewis.

I am now just finishing up the publication of this book of poetry with Tate for its release early next year.

I started by burning all my poems, before I left on the road of life, thinking I couldn't take then with me. Then after I was awake nights, I began writing all my poems down one by one. The ones I remember off by heart are in this book in the Oracle of the Stone. The rest I have composed since then, over the last six years.

Finally comes the poet... Starring Emily Isaacson and Joe Armstrong
in over 800 poems and prose.

Two poets corresponding with a monarch, deep in thought.

Yours Truly,

Emily

Girl in Beacon Hill Park

Beacon Hill Park, by Emily Isaacson {sepia}








I took this photo in remembrance of a story of a young girl who was photographed in Beacon Hill Park in about the 1960's. She could not walk, and wore a brace, was wheeled about in a wheelchair. At her insistence, when the aunts who cared for her finally let her out of her chair to swing on the swings with the other children, she was healed, and was able to walk. They took her picture in front of the flowers, and well... when the photo was developed, it held not the girl in black and white, but the face of Christ.

I saw the photograph for myself when I visited an elderly woman at nine years old, and it was such a miracle that have remembered it ever since.

In every photo I took, starting here in Beacon Hill Park, with my husband at the time who was paralysed from the waist down, sitting on a park bench... I attempted only to catch a glimpse of the master's face.

Somehow the transcendent will appear, it will make itself known, if not through a photograph, through the ordinary progression of life as we choose to serve those who can't repay us.

In poverty of spirit,

Emily

Consulting The Oracle

The practice of divination as a means of aquiring direction and knowledge has been practiced from before medieval times, in fact, the sacred means of aquiring wisdom are mentioned several times in the old testament of the Bible. The stones Urim and Thummim are used by the priesthood as lots, to divine the direction to take in their leadership of the people. These stones are also mentioned in the book 'The Alchemist', a story about a young Andalusian shepherd boy named Santiago who is seeking his life's treasure. Whether God reveals to people the future remains a question in this book ... "God only rarely reveals the future. When he does so, it is only for one reason: it's a future that was written so as to be altered." The boy learns to recognize and respond to omens as a means of communication between himself and the spiritual world.

-

How the spirit world communicates with man is a lesson that is learned over a lifetime, and to be successful in the spirit world is not necesarily of the things that make one rich in a worldly sense. What is your spiritual identity, and your role in a spirit world that is invisible and dependent on capturing the eyes of your heart and your imagination?

-

Some find that answer in religion, but religion without the creativity of love and application of its precepts is a dead church. When we examine the spiritual world along with nature, and the beauty that God has placed around us in music, dance, art, writings, and prayer we find a mosaic that is bound together by love and trust, that resonates in response to good character and morality. To sing a song you must remember it, so it is written on your heart. In the Bible they told young men to write the words of God on the tablet of their hearts. This speaks of a tradition of leadership based on theology, handed down over centuries to become the integrity of today.

-

It must be said that Christianity is rarely in favor of divination, and condemns this idea in the Bible as occult, but instead reverts to a relational means of aquiring direction and wisdom, to be friends with the Creator is to receive positive instruction. It depends on the written word of biblical instruction, pastors and leadership to guide and direct people who are said to be like sheep.

-

The Oracle by Emily Isaacson, is an inspired book written by a modern day poet and prophet. It is one of five books in the collected work 'The Fleur-de-lis', coming to bookstores this December. This may be a book that can provide direction and wisdom, opened to any page, as it was written for the guidance of one particular person and people group in the face of contemporary and very secular society. Dedicated to Prince William and the First Nations, it has five poetry selections in three volumes, written to recapture the spirit of a nation in peril: her homeland Canada.

-

'The Fleur-de-lis' enters with The Laurel Wreath , which is 222 poems in 22 sections: St. Augustine's formula. From beginning to end, it tells of human nature and our part in refining the soul for the spirit's benefit; in a postmodern sense it may be a revolution against the modern world, and contradictory to modern thought. However, it paints the poet's diametrically ordered and established world, offers perspective and waxes philosophic over poetic. With rarely a meter or rhyme, the poetry is like modern day song that superceded the hymn and hymnal.

-

Very Truly,

-

Emily

-

[Painting: Consulting The Oracle, by J.W. Waterhouse]

Carpe diem

Seize the day, or Gather ye rosebuds while ye may...

take care to realize your destiny, training to achieve your full potential. Practice your scales, stand at the barre, twirl your baton, swim your laps. Everything is useful for self-discipline, in the grueling pace and race of life.

-

From the moment your alarm goes off in the morning until your head hits the pillow at nighttime, recite each moment as having meaning: in the way of the Celtic tradition, having a soul and the substance of a prayer. When we couple the daily monotonous events and rituals of life, sometimes menial, forever repetitious, with song and prayer, the moments become sacred and cherished. The essence of relationship forms, with both the divine nature, and those around us.

-

Music is composed note by note, understanding is built word by word, transcendence is reached prayer by prayer. And a home is built on good memories and cherished moments with the people we love and care for. When we gather them as rosebuds, we have a bouquet to adorn the table, a jar of potpourri, a fragrant perfume, a drawer sachet.

-

People enjoy the sea, yet they are cautious of her power, her unceasing rhythm, her roar of stinging salty grey which could pull one out to the depths and watery grave. Yet we worship in her fury, unceasing as the cords of death, we worship in her shadow. The sea is our mother and we cherish her power and her moons of plenty; her seashell harvest, and kelp washed beach of bleached driftwood.

-

The sea is like the unicorn, vast and beyond our imagination, both myth and legend. It is like the lion shaking his salty mane. Home of the whale and the starfish, a desert of blue and milky tide. The beginning of an embryo is unlike the minute life of the sea, in its fluid like a small universe. We dare not transgress against its miniature life, its small form, its tiny shadow--fluttering heart. To care, to shelter this life against the storm, is in essence to save one's life against the sea in our macrocosm. When the smallest unit of our life and humanity on earth has value, it is imparted to everyone and all are welcome and received. This small child is not weak or poor, still shaping its constitution and powers, but has nothing to give until its journey into life is complete.

-

Don't forget to love life unto birth, carpe diem ...

-

Emily

House of The Unicorn

Inside the mind of the poet, in the house of the unicorn, there is a pale gold haunt of the spiritual nature and silver horn of truth. The unicorn, shaking his horn, salty-sea-fire, has words of revelation. The myth is central to his imagination and contemplation. The dance of time is his leadership to remain in the center of perfect will with absolute timing.

Revelation is the language of encouragement instead of information and contempt, indifference. It speaks to the spirit instead of the mind through symbol and metaphor, through verse and poetry. It provides images and art to nourish the spirit with a feast instead of veritable starvation. To eat of its table, we must accept the invitation to be part of eternity, to come in to the mother of peace.

The church in the end times is like a unicorn with no horn. It is a church without revelation, and missing its empowerment of the prophetic. It has the power of contemplation of a child in a bomb shelter. It suspects its judgement as innacurate, and its perception as evil under a plethora of occult books, movies and influences. It contantly corrects and overcorrects its inner imagination to newsprint and fact, to secular viewpoint and modern worldview.

When will we listen to the wind, the stars, the sea, to the cultures still paddling in birchbark canoes, and hear their perception of the creator in a galaxy of old meteor stones? We must listen, for the roar of our society drowns what is tranquil, quiet, and perceptive. It distorts the messages that regulate our bodies and our minds to create health. We must learn to listen to our bodies and its senses to write, to understand poetry, to be balanced and in balance, to be healthy and without disease.

The lion and the unicorn is a symbol, constituent of the coat of arms, metaphoric image of Scotland and England. The veil of romance is in their shield, as they represent the union of marriage. The lion and the unicorn must not divorce, but even now question their union. As one country asks to be removed from the Commonwealth, the nations watch. Canada states its cause, its needs, its requirement of spiritual influence which is uncorrupted. It presents its cause in the book 'The Fleur-de-lis', in three volumes, coming to bookstores this December.

I, Emily, have granted the right of democracy over monarchy by allowing people to vote, in the Empress Portal as to whether they support asking to be removed from the Commonweath, Anyone call log in and vote, at http://www.empressportal.com/.



Cast your vote, have a voice, make your choice.

Emily

Footprints of Waterhouse

The enchantment of Waterhouse makes its way into the present with the dozens of his historic paintings of figures of Greek and English mythology. I have almost a half-dozen life sized Waterhouse hanging in my home, a gallery of tribute to the namesake of The Waterhouse Foundation. Almost daily we add to the number of artists who wish to associate themselves with our cause to further contemporary art forms under the name of this great painter who pinioned like no other the muse.

I invite artists from around the world to make themselves known through our networking directory and become registered artists as never before. There is a passion and inspiration that births itself in the discipline of the many mediums of contemporary art forms, but we must first approciate the art of others before we strike out to do something of our own. Each artist sees from within his own heart, through his own lens, on his own unique life's road, and creates through art a paradigm for interpretation of the world, nature, literature, movement and film.

There is something beautiful in capturing the poor, the cultures of the earth, nature's resplendent roar, the sea, the seasons, and the dance of mythic legend imprinted on the face of the earth like footprints.

Where we walk, angels fear to tread.

Emily

The Last Battle

You may remember in the last book of The Chronicles of Narnia, by C.S. Lewis, how Prince Tirian had for his closest friend, a unicorn. The beautiful and mythic creature invites us to contemplation, to enclosure, to a medieval spiritual world that in his case was corrupted by evil, and resulted in many people suffering from disillusionment in their inability to see or hear from the Great Lion Aslan.

For some reason during this time, Aslan was not making himself known to the people. Instead, there were two impostors of lions, the monkey Shift, and his lion-skin dressed partner, a donkey named Puzzle. No matter how you dress a donkey, it is still a brute creature, and the imitation of intelligence and bravery can only cover up so much cowardice.

In our day and age, I hope we are not dressing up in old lion skins to cover up for our lack of true character: the nature of chivalry, justice and liberty. We are hesitant to go the extra mile for anyone, even if this defines love. We so often sow hurtful or demeaning words towards those we don't understand, and we look down on those with less money or possessions.

We are also inundated with things to buy, places to go, and zoom zoom.

When we cherish the simplicity of the things that money cannot buy, we are looking for what makes up the threads of family and friendship. Eventually, if we consider the songs and stories of life as essential, we will have a tapestry of legacy that will bind together generations with the essence of what heals.

We must begin to heal with our words, our uncomplaining gestures, our heart intentions, or we will maim what is most precious to us.

When the intimacy we value the most seems so far removed in this day, we can know that the nature of God he put in each person to draw us to himself will draw us to become the character he wants us to be. If you are singing a song that speaks of truth, it comes from your inner being, and you will continue to sing, even if you are cast into the darkest prison.

Never give up, for this may be the last battle.

Emily

Voetelle Exhibit

This is my first solo exhibit, and encompasses my work of the last five years. With only a camera, I started in 2004, with aspiration to model my art exhibits after GAUDI, from a brochure I saw from an exhibit in Europe. So far, this has been successful, as on September 11, eleven people came by to view the gallery, with comments like this reminds me of Gaudi, Ansell Adams, Guess. It helps if one is interested in the professional art of photography if you could work for a magazine and take photographs that are both pristine and professional with a quality of a magazine ad. I look for this in my digital work, although none of the images exhibited this year are digital. All are analogue, without any computer enhancements.

With all the world hads to offer there is much to be photographed, and you can become overwhelmed by the number of photographers, particularly on Flickr, a worldwide repository for photos. I am always encouraged by the delicacy of the fact that every photo is different and every photographer sees a different angle and dimension of life. I have always sought to benefit the disabled community with my work, and this exhibit is dedicated to VTEA Valley Therapeutic Equestrian Association, in Langley where I volunteered with the horses and disabled children for three years. The photo I took in the barn there will be given to them at the end of the exhibit as a donation.

I have always enjoyed working with the disabled on horses, teaching them to ride, and appreciate their ability to contribute and give back to the community in whatever way they are able. Whatever our condition, we are always in the position of finding someone with less resources and benefitting them with our talents for the betterment of humanity. Thus a humanitarian cause: one which does not discriminate, but equates all with deservedness of the service.

In good faith,

Emily